failed to respond to questions about Elvis' lineage, and phone calls and e-mails regarding Smith's claim sent to Graceland, Lisa Marie Presley, and the Presley family's genealogist went unanswered.
Filled with inaccuracies, extrapolations, and flat-out lies, Let the Boy Sing is to literature what Harum Scarum is to the fine art of cinema.Īnd the DNA evidence? Elvis Presley Enterprises Inc. Nor does Smith cough up any proof of an Elvis-sponsored trust fund. His claims about performing on recordings by John Denver appear also to be untrue, as Smith's name appears in none of the liner notes for any Denver recording. The songs Smith says he wrote for famous artists clearly were penned by others. The album deal with RCA Records turns out to be a pair of 45s released on a tiny indie label. Almost everything in the book is a story either wildly exaggerated or completely made up. Because Smith's story - in which he makes bogus claims about his life and career that three minutes' worth of Googling can refute - proves to be, with very little digging, a hunk-a hunk-a burning crapola. True or not, Smith's book provides a fascinating read - perhaps not for Presley fanatics or anyone who actually cares whether Smith is the out-of-wedlock son of the world's most famous dead rock 'n' roller, but most definitely for fans of unadulterated gall, tall tales, and lousy fact-checking. And, of course, the real reason they can't is because they don't have them. Whatever the story, they always have two things in common: They all swear they have birth certificates or DNA evidence to prove their claim, and they all have a story about why they can't show you those things. Maybe they've been fed a story all their lives about a one-night stand their mom had with Elvis, and they think it's true. The sad thing is that some of them actually believe it. "These people show up every few years, claiming to be Elvis' son or daughter. "The correct word is scary," according to Presley historian Cory Cooper, who's known in pop culture circles as "The Elvis Expert" and who recently served as technical adviser on director John Scheinfeld's Fame and Fortune, an adaptation of Elvis: Still Taking Care of Business, a 2008 bestseller by Presley's former bodyguard. "And there's no one word that describes how it feels to finally tell the world the truth about me." "I've known that Elvis is my daddy since I was 27 years old," says Smith, 51. All these cushy thrills, according to Smith's new book, were arranged by Elvis himself, who kept tabs on his boy via a network of people who did the King's bidding.Īnd that's because John Smith is, he says, the son of the King. The chance to write songs for country superstars like Kenny Rogers and to record an album with music legends who also recorded with Elvis. The music gigs, playing with John Denver and Lawrence Welk, and the recording contract with Elvis' label, RCA Records. Let the Boy Sing: Elvis Is My Daddy, from a tiny, pay-to-print publisher in Oklahoma, reveals everything the world wants to know about the perks of being Elvis' tug-of-love: The trust fund, set up by Elvis for Smith when he was born. Smith, a sometime country singer and songwriter who lives in Scottsdale, says he's coming clean this month in a new book detailing his hush-hush life as the unheralded Prince of Rock 'n' Roll. And he has, he swears, the DNA evidence to prove it. Despite this setback, Smith had his biggest year yet in 2018, landing roles in the HBO miniseries "Sharp Objects" (HBO, 2018), starring Amy Adams, directed by Jean-Marc Vallée, and based on the Gillian Flynn novel of the same name and the Afghan war drama "The Outpost" (2019), based on Jake Tapper's best-selling novel.John Smith is the secret love child of Elvis Presley.
JOHN SMITH ACTOR SERIES
Smith then returned to TV, earning a series regular gig on the second season of the sociopolitical anthology series "American Crime" (ABC, 2015-2017), and then appearing in a pilot for the TV remake of the 90s smutty teen classic "Cruel Intentions" (1998), which was not picked up by NBC. Before long, Smith was moving from horror parodies into actual horror films, with roles in the poltergeist-themed chiller "Insidious: Chapter 3" (2015), and the American remake of the ultra-gory New French Extremism film "Martyrs" (2015). Following his TV debut on a 2013 episode of the crime drama "Perception" (TNT, 2012-15), Smith landed his first big film role as part of the cast of Marlon Wayans' found footage horror parody "A Haunted House 2" (2014). Born on in Los Angeles, CA, Smith made his screen debut with a tiny role in the film adaptation of the YA post-apocalyptic sensation "The Hunger Games" (2012), appearing briefly in a clip from a propaganda film. Taylor John Smith was an American actor who began acting as a teenager and soon found himself in demand on both film and television, thanks largely to his all-American good looks.
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